Jean Arp has often been seen almost exclusively as related to Dadaism. But it’s not so easy.
The relationship with the Dada movement is not only undeniable, but essential for the definition of his poetic. Arp was, in fact, a personality more complex than it might appear.
The current exhibition at the National Museum of Rome – Baths of Diocletian (until January 15, 2017) aims to shed light on the artist from Alsace, on his touching several artistic movements of the 1900s, and his coming to an entirely original work.
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